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An imaginary letter between two icons of Haitian Compas Music



My brother, Dadou,


The applause ends.


The lights go dark.


The crowd goes home carrying something it cannot name.


But a brother's love cannot be put away.


It remains stubborn, alive, irreducible


like a chord no one ever finished playing.


Dadou,



I remember everything.


The way you held your guitar


not like an instrument.


Like a confession.


You carried Compas the way a man carries faith.


Not a genre. Not a career. A faith.


You passed it to me without speaking


a single lesson through discipline, through generosity,


through every night


,you gave yourself completely


to a room that never knew


what it cost you.


We were more than brothers by blood.


We were brothers by stage.


Every musician who tuned his instrument 

in the dark, who gave up his nights so a room


full of stranger could forget its wounds 

those men were our brothers too.


The guitarist searching for the right note

at midnight.


The horn player who blows


until he cannot see.


The singer who gives his throat


the way a man gives blood.


A band is not instruments.


It is bodies that agree to breathe together


one breath, inhabited by many voices.


Now, when I pick up my drumsticks,


a part of you plays with me still.


Not like a ghost.

 Like a presence in my hands.


It is you, brother. Still you.again


When a woman cries and cannot say why.


When an old couple finds the floor again.


When eyes close at the middle of a chorus 

and the world, for one brief measure, 

has no weight, your echo lives in all of it.

You did not disappear.


You multiplied.



Every musician you inspired is


a continuation of you.


Every child who hears this music


for the first time, body moving 

before the heart understands 

that child receives something of you 

without knowing you, Dadou.



One day he will learn it.


And he will understand why this music 

has a soul like this: because men like you 

refused  to give it any other.

You left too soon, Dadou.


But trees that fall before their season


feed the forest longer than


those that wait their turn.


You fed this forest.


You are feeding it still.


So I will keep walking around


your dreams carried not as a burden


but as a light held in the hand.


I will play for both of us.


For those who knew you, and for those 

who never heard you, because both deserve 

to know what Compas can do when it is inhabited 

by someone who loves it the way you did.


And one evening’I don't know when or how


we will share the same stage again.


No lights. No crowd. No high fives,


Just you and me, two brothers, two instruments,


and all of eternity to finish the song 

that death interrupted.


I love you, brother.


The music remembers.


And I never forget.



Tico ❤ 🎸 🙏




Note to the Reader


This poem was not written But inspired by Tico Pasquet.


It is an act of literary imagination, a poet's tribute to the bond


between two brothers, two musicians, and one music that changed a people.


The words belong to the page.


The love belongs to them.

Author: Pierre Richard Raymond


 
 
 

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